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Great Composers In Words & Music: Antonín Dvořák

Nicholas Boulton

Introduction

Slavonic Dances, Op. 72, B. 147 (Version For Orchestra) - No. 1 In B Major (Excerpt)

Bits And Pieces Are All We May Know About The Music Of Antonín Dvořák

10 Biblical Songs, Op. 99, B. 185- No. 4, Hospodin Jest Můj Pastýř (Excerpt)

The Fourth Of Dvořák's Ten Biblical Songs, Titled -The Lord Is My Shepherd- And Set To A Well-Known

10 Biblical Songs, Op. 99, B. 185- No. 6, Slyš, Ó Bože, Volání Mé (Excerpt)

Symphony No. 6 In G Major, Op. 116 -Historische Symphonie Im Styl Und Geschmack Vier Verschiedener Z

Reflecting On This Period Of The Composer's Life, Zubatý (The Czech Writer Mentioned Previously) Wro

Symphony No. 1 In C Minor, B. 9 -The Bells Of Zlonice - II. Adagio Molto (Excerpt)

Dvořák's First Symphony, Composed Between February And March 1865, Began Life As A Submission To A G

Symphony No. 1 In C Minor, B. 9 -The Bells Of Zlonice - I. Maestoso - Allegro (Excerpt)

In Early 1865, Dvořák Started Teaching Piano To The Daughters Of A Prague Goldsmith- One Of The Two,

String Quartet No. 4 In E Minor, B. 19- I. Assai Con Moto Ed Energico (Excerpt)

Before He Left The Provisional Theatre Orchestra In The Summer Of 1871, Dvořák Was The Subject Of An

Král A Uhlíř, B. 21, Act I Scene 9- Jaký Zvuk To Jest- (Excerpt)

It Seems That Dvořák's Revision Of The Opera Between 1873 And 1874 Was But Part Of A Larger Stylisti'

Moravské Dvojzpěvy, Op. 32, B. 62- No. 2, Veleť Vtáčku (Excerpt)

In Response To Dvořák's Multi-Composition Submission For The 1877 Stipendium, Brahms Singled Out The

Slavonic Dances, Op. 46, B. 83- No. 1 In C Major (Excerpt)

While This Style Of Music Might Be Regarded, Somewhat Cynically, As A Kind Of Opportunistic -Tourist

Piano Trio No. 3 In F Minor, Op. 65, B. 130- I. Allegro Ma Non Troppo (Excerpt)

In August 1883, Dvořák Received A Prestigious Invitation- The London Philharmonic Society Requested

Stabat Mater, Op. 58, B. 71 (1876 Version) - Stabat Mater Dolorosa (Excerpt)

Dvořák Left Prague For London On 5 March 1884- Eight Days Later He Was Conducting The Stabat Mater I'

Piano Trio No. 4 In E Minor, Op. 90, B. 166 -Dumky - I. Lento Maestoso - Allegro Vivace, Quasi Doppi'

In 1891, The Same Year Dvořák Completed The -Dumky- Trio, He Took Up The Position Of Professor Of Co

Te Deum, Op. 103, B. 176- Te Deum Laudamus (Excerpt)

The Premiere Of The Te Deum Within The Celebratory Concert, Which Took Place On 21 October 1892 At N

Symphony No. 9 In E Minor, Op. 95, B. 178 -From The New World - III. Scherzo. Molto Vivace (Excerpt)

Following The Premiere Of His Ninth Symphony, Dvořák May Well Have Looked Forward To A Prosperous An

Cello Concerto In B Minor, Op. 104, B. 191- III. Finale. Andante - Allegro Vivo (Excerpt)

The Next - And, Indeed, The Penultimate - Phase In Dvořák's Compositional Journey Seems To Have Emer

The Water Goblin, Op. 107, B. 195 (Excerpt)

During His Final Years, Dvořák Became The Recipient Of Various Honours…

Armida, Op. 115, B. 206, Act I Scene 1- Jak Z Dervišových Prstů Řinou (Excerpt)

Dvořák Is Said To Have Departed The Theatre Early On The Evening Of 25 March 1904, During The Premie

Hymnus Ad Laudes In Festo Sanctae Trinitatis, B. 82 (Excerpt)