At The Opposite Extreme Is The Triangle by Jeremy Siepmann download track

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Release Date: 2002

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Download mp3 track At The Opposite Extreme Is The Triangle Jeremy Siepmann

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The Instruments Of The Orchestra (CD5)

Jeremy Siepmann

Introduction. And We Begin With A Bang

COPLAND. Fanfare For The Common Man - On The Battlefields. BEETHOVEN. Wellington's Victory, Op. 91 (Opening)

LISZT. Piano Concerto No. 1 In E Flat Major - Scherzo

Categories Of Percussion. Tuned And Untuned. The Side Drum

ROSSINI. La Gazza Ladra (The Thieving Magpie) - Overture (Opening)

The Side Drum In An Effective But Unexpected Role. NIELSEN. Clarinet Concerto (Opening)

The Tambourine. One Of The Oldest Instruments In The World

SUSATO (Arr.). Den Hoboecken Dans

Even Older Is The Originally Oriental Gong

RAVEL. Ma Merel'oye (Mother Goose) - Laideronette

In Evoking The Breaking Of Waves. BRITTEN. Passacaglia, Op. 33b (From Peter Grimes)

But Gongs Don't Have To Be Struck Hard To Be Effective. SATIE. Gymnopedie No. 2

The Cymbals. ELGAR. The Sanguine Fan - STUDIO EXAMPLES. Clashed Softly - Struck Singly - Stroked With Wire Brushes

The Whip. RAVEL. Piano Concerto In G Major (Opening) - TCHAIKOVSKY. The Nutcracker. Act I, Scene 5

More Versatile Than The Whip Are The Wood Blocks. STUDIO EXAMPLE

Cropping Up All Over The Place In 20th C. Music. COPLAND. Rodeo - IV. Hoe-Down

The Castanets, Related To Woodblocks. GLINKA. Jota Aragonesa

Used In 17th Century. MONTEVERDI. Scherzi Musicali - Damigella Tutta Bella

A Still Earlier Example From Fifteenth-Century Spain

Yo M Enamori D'un Aire (Trad. Sephardic)

The Birth Of The Bongo

BERNSTEIN. Symphonic Dances From West Side Story

From The Streets Of New York To The Blacksmith's Shop. VERDI. II Trovatore - Act II. Anvil Chorus

Desert-Island Decibels. GROFE. Grand Canyon Suite. III. On The Trail - VARESE. Arcana

The Humble Squash, Or Marrow. MONCAYO. Huapango

Onwards To The Tuned Percussion. First, The Timpani'

R. STRAUSS. Also Sprach Zarathustra - Introduction

The Drum Roll. MAHLER. Symphony No. 2, Resurrection' - III. In Ruhig Fliessender Bewegung

Many Drum Rolls. GROFE. Grand Canyon Suite. I. Sunrise - BERLIOZ. Symphonie Fantastique. V. Songe D'une Nuit De Sabbat

Taking Advantage Of Tunability

BARTOK. Music For Strings, Percussion & Celesta - II. Allegro

A Downward Turn. SHCHEDRIN. Carmen Suite - IV. Changing Of The Guard

Introducing The Glockenspiel. SHCHEDRIN. Carmen Suite - V. Carmen's Entrance & Habanera

Saint-Saens And The Xylophone

SAINT-SAENS. The Carnival Of The Animals - Fossils

Ravel And The Xylophone

RAVEL. Ma Merel'oye (Mother Goose) - Laideronette

Introducing The Marimba. SHCHEDRIN. Carmen Suite - III. First Intermezzo

Introducing The Vibraphone

STEINER. The Treasure Of The Sierra Madre - Narange Dolce

The Vibraphone Goes Russian, & Is Joined By The Marimba. SHCHEDRIN. Carmen Suite - V. Carmen's Entrance & Habanera

Introducing The Hungarian Cimbalom

Folk Dances (Trad.)

The Cimbalom And The Symphony Orchestra

KODALY. Hary Janos Suite - III. Song

Introducing The Tubular Bells

KODALY. Hary Janos Suite - II. Viennese Musical Clock

A More Up-Front Approach From Rodion Shchedrin

SHCHEDRIN. Carmen Suite - I. Introduction

The Sinister Made Even More Sinister. VAUGHAN WILLIAMS. Symphony No. 7, Sinfonia Antartica - I. Prelude

Introducing The Celesta

TCHAIKOVSKY. The Nutcracker - Dance Of The Sugar Plum Fairy

Magic, In The Use Of Collective Percussion

RAVEL. Miroirs - V. La Vallee Des Cloches

Plucked Instruments, The Undercover Percussion. SHCHEDRIN. Carmen Suite - VI. Scene

The Harp. TCHAIKOVSKY. The Nutcracker. Act II, Scene - LISZT. Hungarian Rhapsody No. 1

The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra

BACH. Brandenburg Concerto No. 2 - II. Andante

The Piano, King Of The Tuned Percussion. SAINT-SAENS. Symphony No. 3, Organ' - II. Allegro Moderato

A Quarter Of A Century After That. STRAVINSKY. Petrushka - Russian Dance

The Anti-Romantic Piano As An Integral Part Of The Orchestra

BARTOK. Music For Strings, Percussion & Celesta - IV. Allegro Molto